Streamy Romance: Americans’ Love Affair With B Movies Goes Digital

Video-watching habits may change, but bad film ads never die – here’s what
Igorilla said to Robert Klara of Adweek:

On an October morning in 2008, a truck loaded with VHS cassettes pulled away from Distribution Video Audio’s warehouse in Palm Harbor, Fla.—and made history: It was the last major shipment of movies on VHS bound for retail stores. As owner Ryan J. Kugler told the Los Angeles Times: “It’s dead. This is it.”

VHS was dead. In fact, A History of Violence, the last major Hollywood title put on videocassette, appeared in 2006. But the demise of VHS didn’t mean that Americans had wearied of watching movies in their living rooms. In fact, we do more of it all the time. A recent Harris Poll revealed that 57 percent of consumers would rather watch a film at home than in the theater. A survey from Motorola showed the average time we spend watching movies at home has jumped from five hours a week to six.

So while the medium might change, the love for home screening had not—and that’s the lesson on view in the two ads here. In a technical sense, the only difference between this 1985 ad for CBS/Fox Video and its 2014 Warner Archive counterpart is that magnetic tape has ceded its place to digital. Otherwise, both ads testify not just to the profitability of the back catalog, but to a curious truth about American cinematic tastes. Even the most obscure, marginal B-grade movie has someone, somewhere, who loves it.

Actually, a loyal fan base is probably the only thing that can explain why media companies this rich can get away with creating ads this marginal. “Neither is particularly pleasing to the eye or says much, visually, about the storyline of the films,” observed movie marketing consultant Sheri Candler. Even by the standards of the mid-1980s, CBS/Fox’s cutout stills of Burt Reynolds in the 1965 flick Operation C.I.A. look like a photo collage from a high school yearbook. And with this creepy, playground still from Trog, the 1970 film about a malevolent troglodyte and the anthropologist (Joan Crawford) who discovers him, Warner hasn’t done much better.

But according to marketing consultant Dean Crutchfield, maybe that’s the point. One of the curious talents of old B movies and cult films is an ability to market themselves—which, among other things, means the ads don’t have to. These ads are doing their jobs by being as good (and as bad) as the films they depict. It’s memory that’s doing the real marketing. “Both ads play up nostalgia,” Crutchfield said, “which is hard to explain, but a powerful marketing tool. The ads create a sense of curiosity, which is very smart.”

Besides, would it make sense to have sleek, cutting-edge ads for flicks with IMDb ratings of 2½ and 1½ stars? Of course not. Fans will recognize the stills, and fans will be buying the movies.

Just not on VHS anymore.

When this ad for Operation C.I.A. (“Available Soon on Videocassette”) appeared in 1985, Fox had only just wised up to the back catalog’s profit potential. In 1977, the studio licensed 50 of its old titles (including Patton and The Sound of Music) to a company called Magnetic Video. The public response was so huge that Fox wound up buying Magnetic out, then teaming up with CBS to create a home-movie behemoth.

http://www.adweek.com/news/television/streamy-romance-americans-love-affair-b-movies-

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Author: Dean Crutchfield

In an award-winning career spanning two decades, Dean Crutchfield has created, built and re-invigorated some of the world's most iconic brands.

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